State-of-the-art zig zag in via della Spiga, Milan. A journey in four stages, indeed a Go away, as the title of the exhibition of contemporary art which now appears in the window, thanks to VIA Visiting Installation Arte, a project conceived by the entrepreneur Lorenzo Lombardi and the photographer Valentina Angeloni, created in collaboration with the owners of some shops in the famous Via del Quadrilatero della moda.
The idea is to fill the spaces on the street that have remained bleakly empty due to the pandemic: Come on, curated by Federica Sala, it presents works by Nathalie du Pasquier, Lorenzo Vitturi, Regine Schumann, Gianluca Malgeri with Arina Endo transforming a lowered shutter into a public place of beauty, color and design.

Come on, Nathalie Du Pasquier

© Valentina Angeloni [email protected]

Widespread exhibition, almost art à porter: those who live in the city know how much there is a lack of spaces where to find stimuli and consolation, after the long stop of museums, foundations, exhibition spaces. Now that Lombardy is in the yellow zone and the MiBact allows the reopening of places of culture (but only from Monday to Friday and upon reservation), the city is thinking about a calendar of opening effective, to avoid the hiccup effect should the spread of the virus deteriorate again. If many are asking for a more congenial reopening (why, for example, not include the weekend?), Everyone is certain that going to exhibitions will no longer be a pleasure dictated (also) by a desire or from the improvisation of the moment, but an activity to be planned with care, a planned exercise of the will.

Also for this projects such as Go away they take on a value that transcends contingency. We need to rethink the way to create exhibitions and the very use of art. Playing on the terrain of the contemporary, free from the bureaucratic constraints of the superintendencies, you can really dare and invent: a showcase exhibit like this one in via della Spiga is in effect an intelligent intervention of public art, free, for the benefit of all. Let’s see the stages, then.

© Valentina Angeloni [email protected]

We are in the final stretch of via della Spiga, between via Borgospesso and via Manzoni: we start from number 52 where the installation of Nathalie Du Pasquier by title For Marisa. The French artist, formerly in the Memphis Group as a designer and in recent years more dedicated to painting, reconstructs in the shop windows two scenes that recall puppet theaters: if you get closer you see a stone, a walnut, an orange, a hand with thumb raised (a wish for the future?). Impossible not to notice his intervention: the representation rests on a truly original chromatic pattern (derives from combinations studied by the artist for Daisy tiles designed for Mutina, who collaborated in the realization). The dedication of the work then gives meaning to the whole: the Marisa of the title is Marisa Lombardi, entrepreneur, art lover and central figure in the Milanese fashion world since the 1960s. We learn this from the captions displayed: Go awayi, just as happens in museum display cases, has equipped the showcases with legible captions by passers-by, in order to fully enjoy the works.

Proceeding, at number 48 the Venetian Lorenzo Vitturi presents four textile sculptures. They appear before us like totems, very colorful. They are the result of a work that Vitturi carried out with some artisans of the Jaipur Rugs Foundation in Rajasthan, India: in their hands the artist entrusted the task of telling their personal story, to which he then added inlays in fused Murano glass, to indissolubly link his identity, his experience as a Venetian, with that of Indian population. At a time like this, with a pandemic that has made us understand how interconnected we are all, a message of high moral value.

© Valentina Angeloni [email protected]

Not even the creations of Gianluca Malgeri and Arina Endo in via della Spiga 31 they go unnoticed: you want to play with the mechanisms and those copper sculptures made by the couple. What are they? They appear very thin metallic origami and refer to the primordial forms of nature: Malgeri and Endo, who had presented these works at the Galleria Magazzino in Rome, remind us of the importance of observation, they urge us to a taste for play and an intelligent pastime.

The final stage of this come and go full of hope is at number 48. Here Regine Schumann – German artist who has been working on optics for years so much that many call her “the painter of light” – opens the doors of her perception. The selection of the works in the window was created together with the Milanese Dep Art Gallery (which from this week presents a monograph on the artist, in its spaces in via Comelico: Chromasophia, the wisdom of colors, until March 30, by reservation: deserves). Here other worlds open up to passers-by: thanks to the use of acrylic plexiglass plates, colors are filtered, shapes amplified. The works also reflect the opposite shop windows in an iridescent way, in an intriguing visual short circuit.

Viavài, Gianluca Malgeri and Arina Endo

© Valentina Angeloni [email protected]

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